Our second installment of arrangements from Tchaikovsky’s The Nutcracker! These pieces compliment our volume 1 of published arrangements, or they can be mixed and matched to fit your ensemble’s programmatic needs. Selections include: Overture, Chocolate (Spanish Dance), Coffee (Arabian Dance), and Tea (Chinese Dance).
Our second installment of arrangements from Tchaikovsky’s The Nutcracker! These pieces compliment our volume 1 of published arrangements, or they can be mixed and matched to fit your ensemble’s programmatic needs.
The Overture provides a regal and triumphant entrance of all the brass and give each instrument their own technical moment to shine. Chocolate is a flashy 1st trumpet feature true to the orchestral trumpet solo, with some demanding multiple tonguing that will really let the soloist show off. A flugelhorn duet hauntingly sings above the low brass in Coffee as we hear the “plodding camel” make its way through the desert. Finally, Tea is a delightful opportunity to showcase your piccolo trumpet in this quick and animated dance!
*Note: This arrangement can be heard recorded by CSB on our “Christmas on Copper Street” album, available on our website or anywhere you get your music online.
More information about our difficulty levels in the FAQ Tab
|1st Trumpet in Bb, Flugelhorn and Piccolo Trumpet in Bb|
|2nd Trumpet in Bb, Flugelhorn|
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There are lots of tunes that we would love to publish but we can't because the rights holder will not grant us the rights or obtaining those rights is prohibitively expensive. Unfortunatly this includes most of our modern tunes (anything not in the public domain). We will continue to work with rights holders to negociate publishing rights, but in the meantime we hope you enjoy what we currently offer!
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Ya You Betcha! See the tables below for a general idea, and if you have any questions about a specific piece contact us!
|Meter||Simple (4/4, 3/4, 2/4), no meter changes|
|Keys||Up to two flats|
|Tempo||Andante to Moderato|
|Rhythms||Simple, mostly whole / half / quarter notes|
|Scoring||Clear and traditional|
|Range||No extremes, generally stays in a comfortable octave, and no wide leaps|
|Meter||Simple + easy compound (4/4, 3/4, 2/4, 6/8, 9/8), a few easy meter changes|
|Keys||Two sharps to three flats|
|Tempo||Andante to Allegro|
|Rhythms||Adding some triplets and sixteenths|
|Scoring||Mostly traditional, more horn or trombone melody, a few exposed solos|
|Range||Stays in a generally comfortable 1.5 - 2 octaves, no leaps of more than a 6th|
|Meter||All except rapidly changing meters or the extremely complex|
|Keys||Four sharps to five flats|
|Tempo||Adagio to Presto|
|Rhythms||Most rhythms, no complex 16th-note passages, easy double/triple tonguing|
|Scoring||Exposed solos, extended horn and low brass (incl. tuba) melodies|
|Range||All notes in playable range, wide leaps of an octave or more|
|Meter||Any, with any changes between|
|Keys||Any (still generally stays away from the most extreme keys that don't sound as good on brass)|
|Tempo||Molto Largo to Molto Vivace|
|Rhythms||Any complex duple or compound rhythms, fast double/triple tonguing|
|Scoring||Very exposed, unusual orchestration, long cadenzas or solos|
|Range||All notes including extremes, very wide leaps, extreme flexibility required (sounds fun doesn't it?)|