This traditional Scottish melody is transformed and presented in many different ways in our arrangement. Each of the instruments gets their moment to shine! The tuba and trombone parts reach the upper register at times.
This traditional Scottish song is transformed and presented in many different ways in our arrangement. Each of the instruments gets their moment to shine! The tuba and trombone parts reach the upper register at times. The haunting melody is passed around the ensemble throughout the piece and demands long phrases from all. The horn begins and ends this arrangement with ethereal cadenza-like passages meant to take the listener to the foggy Scottish landscape. Throughout the piece, the tempo and meter change back and forth from a pensive 2/4 to a more flowing 6/8. Tim has described this as one of his favorite arrangements he’s ever done for CSB, and we hope you enjoy rehearsing and performing this as much as we do!
More information about our difficulty levels in the FAQ Tab
|1st Trumpet in Bb|
|2nd Trumpet in Bb|
|Tuba||Take note of the optional 8vb phrases in the 6/8 sections. The C in mm. 41 and 123 can be played in either octave. The 1st ledger line C is preferred.|
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When you purchase music from us, you can trust that you're getting brass music that was created by real-life brass players, performed and tested in real-life by us. We've error checked all parts and played everything through in rehearsal before it is published (although of course we're human and we might have missed something - if so let us know). We've all had experiences with music that is messy, hard to read and has lots of mistakes - we hate that too, which is why we take the time to make our parts as clean as possible.
Copper Street Editions is unique in that we aren't a publishing company or a for profit business. Your purchase from CSE supports the mission and musicians of The Copper Street Brass. Many of our titles can't be found elsewhere, and your purchase is helping us grow the repertoire for brass throughout the world.
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After you complete your purchase through Square, you will get an email with your payment confirmation from Square. We also get an email, and within a day or two (or sooner if we are able!) we will deliver your music as a .pdf binder with the score and all parts via email through Adobe Send & Track. Make sure you check your junk mailbox if you don't hear from us, the email with the link to you music comes from "firstname.lastname@example.org".
The email from Adobe will include a link to view and download your file. The .pdf packet which includes all parts and the score for your song, as well as important program notes and song timing. Once you download your file the link will expire, so make sure to save it where you can easily find it. You'll then be able to print parts. Your purchase grants you the right to perform the piece anywhere you want, we just ask that you don't distribute our music to others. That's just not nice.
There are lots of tunes that we would love to publish but we can't because the rights holder will not grant us the rights or obtaining those rights is prohibitively expensive. Unfortunatly this includes most of our modern tunes (anything not in the public domain). We will continue to work with rights holders to negociate publishing rights, but in the meantime we hope you enjoy what we currently offer!
If you have a specific request for a piece of music, you can always contact us using the form below.
Ya You Betcha! See the tables below for a general idea, and if you have any questions about a specific piece contact us!
|Meter||Simple (4/4, 3/4, 2/4), no meter changes|
|Keys||Up to two flats|
|Tempo||Andante to Moderato|
|Rhythms||Simple, mostly whole / half / quarter notes|
|Scoring||Clear and traditional|
|Range||No extremes, generally stays in a comfortable octave, and no wide leaps|
|Meter||Simple + easy compound (4/4, 3/4, 2/4, 6/8, 9/8), a few easy meter changes|
|Keys||Two sharps to three flats|
|Tempo||Andante to Allegro|
|Rhythms||Adding some triplets and sixteenths|
|Scoring||Mostly traditional, more horn or trombone melody, a few exposed solos|
|Range||Stays in a generally comfortable 1.5 - 2 octaves, no leaps of more than a 6th|
|Meter||All except rapidly changing meters or the extremely complex|
|Keys||Four sharps to five flats|
|Tempo||Adagio to Presto|
|Rhythms||Most rhythms, no complex 16th-note passages, easy double/triple tonguing|
|Scoring||Exposed solos, extended horn and low brass (incl. tuba) melodies|
|Range||All notes in playable range, wide leaps of an octave or more|
|Meter||Any, with any changes between|
|Keys||Any (still generally stays away from the most extreme keys that don't sound as good on brass)|
|Tempo||Molto Largo to Molto Vivace|
|Rhythms||Any complex duple or compound rhythms, fast double/triple tonguing|
|Scoring||Very exposed, unusual orchestration, long cadenzas or solos|
|Range||All notes including extremes, very wide leaps, extreme flexibility required (sounds fun doesn't it?)|